1990年之后的英国电影业呈现出喜忧参半、荣耀与危机并存的局面:一方面,不断出现的英国优秀影片成为欧洲、乃至世界影坛的突出亮点;但另一方面,英国电影市场被美国电影主宰,其票房的90％以上出自美国影片。虽然英国电影制作有了一些进步,但衰退危机始终存在。其中的一个重要原因,是撒切尔夫人领导的保守党政府自1979年上台后,实行新电影政策延续下来的影响。英国政府大幅减少国家对电影业的扶植,停止自1927年开始实施的、旨在保护民族电影业的“配额制”(限定发行商和放映商至少要放映多少百分比的英国电影),艾迪征税法(向放映商的盈余课税,将部分票房回归到电影制作)同样面临废除的命运,这种几乎完全出自工业与商业层面制定的政 After 1990, the British film industry showed a mixed picture of both glory and crisis: on the one hand, emerging British best films became prominent highlights of European and even world cinema; on the other hand, the British film market was dominated by American films , More than 90% of its box office movie from the United States. Although there has been some progress in British film production, the crisis of recession has always existed. One of the important reasons is the continuation of the new movie policy implemented by the Conservative government headed by Mrs Thatcher since taking office in 1979. The British government has drastically reduced its efforts to support the film industry by halting the “quota system” (limiting the percentage of publishers and exhibitors who will show at least a percentage of British movies) that has been in operation since 1927 to protect the national film industry. The Tax Code (Surplus Taxes on Exhibitors, Returning Some Box Office Boxes to Film Production) Also faces the abolition of fate, which is almost entirely from the industrial and commercial level