洛南县剧团新编排的大型秦腔神话剧《沉香》中主人公沉香是个撼天动地的大孝子,为了母亲他忍饥受寒、荒野跋涉、不惧生死东海海底盗神斧。当然,创作者并没有简单处理沉香形象,也展示了沉香作为一个孩子的性格多样性,在云蒙山上练武,他受不了反反复复挑水的枯燥,欲“不用受苦”而找太上老君要仙丹去救母,要走一条不吃苦就成功的捷径。这一笔让沉香的形象更具可信性,更具亲和力。自然,沉香是聪慧的,当被霹雳大仙一顿藤条抽打之后,他幡然醒悟“:天底下学术艺若有捷径,世上人又何必刻苦用功”。就这样,一个天性善良、无私无畏又聪慧机敏的沉香形象被成功塑造出来。就情感而言,沉香无疑是一部饱含大众情怀的亲情剧在沉香创作中,作者能够有效地借用神话的外 Luonan County theater rehearsal of the new large-scale interpretation of the ancient Shaanxi Opera goddess drama “incense” in the main character of incense is a shake-day the great filial son, to his mother, his hunger and cold, wilderness trek, fearless death or death of the East China Sea axes. Of course, the creators did not simply deal with the image of incense and incense, but also displayed the character diversity of incense as a child. When practicing martial law on a mountain of clouds and mountains, he could not stand the dryness of carrying water repeatedly and without “looking for too hard” Laojun elixir to save the mother, to take a shortcut to success without suffering. This one makes the image of incense more credible, more affinity. Naturally, incense is bright, and when he was beaten by a rattan of a large thunderstruck, he awoke: “If there is a shortcut to academic art, why should the world work hard?” In this way, a natural kind, selfless fearless and intelligent alert image of the incense was successfully shaped out. In terms of emotion, incense is undoubtedly a family drama full of public feelings in the incense creation, the author can effectively borrow myths outside