当代中青年书画家中论及技法之全面很少有人与兆晖比肩。无论金石篆刻、各体书法、理论文章、山水花鸟,兆晖都有心得,可以说是个多面手。在人们的概念中,学问渊博者往往不能专精。兆晖深入中国传统文化形式的各个门类,企图通过全面的技法修养达到对东方审美内核的极致追问,勇气之大,耗精力之久,令人赞叹。但我以为,兆晖之作,众艺之首当推草书。全面修养,使其草书至专精之地。中国佛教协会曾在中国画研究院举办兆晖写经作品研讨会,与会者曾提出中国传统文化的国学修养断代之说,而兆晖是全面继承中之特例。的确,孔子曾提出“君子游于艺”之说,是指艺术表现的背后需要东方文化的深刻修养。兆晖将艺术表现中 Young and middle-aged painting and calligraphers in the comprehensive talk about techniques rarely Zhao Shui-Hui. Regardless of stone carving, the various types of calligraphy, theoretical articles, landscape flowers and birds, Zhao Hui have experience, can be said to be a versatile. In people’s concepts, knowledgeable scholars often can not specialize. Zhao Hui deepening the Chinese various categories of traditional forms of culture in an attempt to accomplish the ultimate aesthetic oriental questioning through a comprehensive approach to cultivation, courage, energy consumption for a long time, impressive. But I think, Zhao Hui’s work, the first of all folk art books. Comprehensive training to cursive to specialization. The Chinese Buddhist Association held a Symposium on Writing and Writing of Zhao Hui at the Chinese Painting Research Institute. Attendees said that the traditional Chinese culture had been cut off from the ancient Chinese culture. Zhao Hui was a special case of comprehensive succession. Indeed, Confucius once said that “a gentleman swims in the art” is the profound accomplishment of the oriental culture behind the artistic expression. Zhao Hui will be artistic performance