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说到中国民族金银工艺的NO.1.“苗族银饰”自然是当仁不让的。因为自古以来.苗族就是一个被熠熠银光所包围的民族。 少数民族非常习惯用金银饰.名贵宝石等彰显身份与财富.然而苗族的银饰工艺所展现在世人面前的.是一种将民族物质与精神文明密切结合的奇特文化现象.由这样的工艺饰品中.极容易观察到与苗族的图腾崇拜、宗教巫术、历史迁徙.民俗生活等方面的含义.足以让人体会苗族文化精神的本质。 苗族银饰出现于明代,流行于清代,至20世纪80年代达到一个高潮。同人类服饰文化一样,苗族服饰
Speaking of China’s national gold and silver technology NO.1. “Miao silver” is naturally doing my part. Because since ancient times, the Miao is a nation surrounded by shining silver. Ethnic minorities are very accustomed to using gold and silver ornaments, precious stones, etc. to highlight the identity and wealth, but the Miao silverware technology demonstrated in front of the world is a peculiar cultural phenomenon that closely integrates ethnic material and spiritual civilization by such jewelry It is very easy to observe the meaning of Miao totem worship, religious witchcraft, historical migration, folk life, etc. It is enough to let people understand the essence of Miao’s cultural spirit. Miao silverware appeared in the Ming Dynasty, popular in the Qing Dynasty, to the 20th century, 80’s reached a climax. Like human clothing culture, Miao costumes