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董其昌等提出绘画南北宗说,影响了后世三百多年中国艺术的发展。篆刻是最早引入绘画南北宗学说的领域之一,形成了具有丰富理论内涵的印学南北宗思想。明清以来的文人印学理论其实是在南北宗学说影响下产生的,浙派和徽派两家的形成和发展也打上了南北宗学说的深深印迹。“印学南北宗”的概念由本文第一次提出。
Dong Qichang put forward the painting of North and South Zong said that the impact on future generations of Chinese art more than 300 years of development. Seal cutting is one of the earliest introduction of painting theory of North and South religion, formed a rich theoretical connotation of South-North Indian thought. Since the Ming and Qing Dynasties, the literary theory of scholars has been produced under the influence of Southern and Northern Religions. The formation and development of the two schools of Zhe-faction and Huizhou are also marked with profound impressions of the theory of Northern and Southern religions. “Indian-South” is the concept of the first proposed by this article.