有这样一种理念,简单的而复杂,复杂的而简单。对绘画本身而言,我们可能想得太多,但又不能想得太少。我希望把一切都寄托在简单而复杂的元素材料上,来阐述我对绘画的感情,而不是偏离生命太远,以免深深陷入这是怎样的世界之中——人们既不说,而又不想。 我不喜欢充斥在满满的物体之间。一方面去掩盖,一方面又去遮挡来自思想深处的忐忑与不寻常。或者存在,或者失去我们内心的表达。不是寻找相同,而是不同的个人世界;不是狭隘的阐述苦痛,或者是对别人苛刻的时候,而对自己宽容。我们在宇宙中,并没有我们认为的那么大。这或许是困惑,还是把完整放 There is such a concept, simple and complex, complex and simple. We may think too much about the painting itself, but we can not think too little about it. I want to pin everything on simple and complex elemental material to illustrate my feelings about painting rather than deviating too far from life so as not to fall deeply into the world of what it is - Do not want to. I do not like flooding between full objects. On the one hand to cover up, on the one hand went to block the shame and unusual from the depths of thought. Or exist, or lose our inner expression. Rather than looking for the same, they are different personal worlds; they either tolerate their own narrow tolerance of pain, or when they are harsh on others. We are not in the universe as much as we think. This may be confusing, or put the complete release