正如杜尚给达·芬奇的名作《蒙娜丽莎》加上胡子而诞生充满荒唐感的《带胡须的蒙娜丽莎》一样,当前的艺术界也存在对名作进行“嫁接”、改造、变形的有趣现象。与大多数倡导作品独创性、极力避免抄袭雷同的艺术创作方式不同,这类创作刻意保留对名作的模仿痕迹,使得作品在看似投机取巧的背后,增添了一种独特的审美趣味与审美意蕴,使受众获得了另一番审美体验。本文拟在描述现象的同时揭示其内在原因。 Just as Duchamp gave Leonardo da Vinci’s masterpiece “Mona Lisa” with a beard and the birth of a ridiculous “bearded Mona Lisa”, the current art world also has “grafting” , Transformation, deformation of the interesting phenomenon. Unlike most creative ways of advocating originality of works and trying hard to avoid copying the same, this kind of creation deliberately retains traces of the imitation of masterpieces, making the work add a unique aesthetic taste and aesthetic implication to seemingly opportunistic, So that audiences get another aesthetic experience. This article intends to reveal the underlying causes while describing the phenomenon.