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在当代艺术文化思潮中,漆画从“器画相随”到“器画分离”转变,艺术的兴起充分显示艺术家在理性和感性中突破了传统漆器的禁锢,语汇、风格、题材等不同艺术形式涌跃出现,同时也伴随着诸多不成熟、不完善之处,如材料运用的混杂以及图像形式边界的模糊,等等。在漆画艺术进入辉煌期时也逐渐呈现出当代性的缺失,不少以艺术名义呈现的消极因素对漆画艺术的渗透,不仅给当代漆画带来了负面的影响,在不同程度上也影响着观者的审美情
In the trend of contemporary art culture, the lacquer painting changed from “painting ” to “painting separation ”, the rise of art fully shows that the artist broke through the confinement, vocabulary and style of traditional lacquer ware in reason and sensibility, Themes and other forms of art emerge surging, but also accompanied by many immature, imperfect, such as the use of mixed materials and image form the boundaries of the fuzzy, and so on. When the art of painting and painting entered a period of glory, it also gradually showed the lack of contemporaryity. Many of the negative factors in the name of art infiltrated the art of lacquer painting, which not only brought negative influence on contemporary lacquer art, but also to varying degrees Affect the viewer’s aesthetic love