“后现代主义”(Postmodernism)作为20世纪60年代末70年代初在西方社会勃兴的一股文化思潮,以对西方现代主义的扬弃姿态,在哲学、建筑学、语言学、美学、艺术学等多个领域发散出巨大的能量,而其在这些领域中形成的对本源论和中心话语的驳斥,对封闭结构和固定秩序的破除,以及对多元主义、差异化和阐释的无限性的推崇等核心批评理论,也对作为交叉学科的博物馆学在20世纪80年代迎来的 Postmodernism, as a cultural trend of popularization in Western society in the late 1960s and the early 1970s, abandoned the postmodernism of Western modernism in philosophy, architecture, linguistics, aesthetics and art Science and many other areas of the great power, and its formed in these areas refute the source of theory and the discourse, the closed structure and the removal of a fixed order, as well as pluralism, differentiation and interpretation of the infinite Advocacy and other core criticism theory, but also for interdisciplinary museums ushered in the 1980s