当代的俄罗斯新文学历经“凤凰涅”式的磨难,淌过“回归”、“后现代”的潮汐,在九十年代呈现出多元化、复杂化的时候,似乎一度显得有些力竭神疲。一是读者整体上对文学的冷淡,二是评论家的反应也失却了早先的兴奋。其实,这是文学转型期并不鲜见的一种现象。然而,文学自有其 The tide of contemporary Russian new literature after the “Phoenix Nirvana” type of torture and the “return” and “postmodern” tunes appeared to be somewhat exhausted and complicated in the nineties . First, the reader as a whole is indifferent to literature; second, the reaction of the critic also loses its previous excitement. In fact, this is not uncommon in the period of literary transformation. However, literature has its own