王可田:我手头有你三部诗集,《众神之鸟》《长安书》和《大地之灯》。在此之前,你还出版了《母语》《西安的背影》等多部诗集和散文集。这么多年来,可以说是著述甚丰,每隔两三年、三四年就会有一部新作问世。请问你是如何保持这种旺盛的创作力的?耿翔:我不是一个离开诗歌就活不了的人。但有了诗歌,就会让我真切地感觉到:活着很好。好多人都问过我这个问题,记得一家媒体做“青春诗会”诗人专访时,第一次问到这个话题,我的回答是,因为母亲。真的,我心中的母亲形象很美好,很温暖,但不是年轻 Wang Tian: I have three poems on hand, “Birds of God,” “Chang An Book,” and “Lamp of the Earth.” Before that, you also published many poems and essays such as “Mother Tongue” and “Back of Xi’an.” For so many years, it can be said that the book is very rich. Every two or three years, a new work will come out in three or four years. How do you maintain this strong creative power? Geng Xiang: I am not a person can not live without poetry. But with poetry, it makes me feel real: Alive is good. Many people have asked me this question, I remember a media to do “youth poetry will ” poet interview, the first time asked this topic, my answer is because of the mother. Really, the mothers in my heart are beautiful, warm, but not young