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这篇论文的目的是通过一种文本与历史的视角重新阐释现代主义叙事的话语经验,以此提示处于后现代时期的当下叙事的可行性方式。文章的结构首先从本雅明的“讽喻”概念开始论述,将其作为一个可以起到阐释先锋主义作品的核心的理论范畴,提示出它对现代主义叙事的具有启发性的指向,从而给予现代主义叙事经验一个合法化的理论范畴;接着论述波普艺术,作为从现代主义到后现代主义的第一次嬗变,波普艺术将现代主义对精神性的关注退回到现存社会,去除了艺术的神秘化气氛。它开辟了一个对影像,高度写实和复制的模拟物的无限嘲讽游戏。同时,由于一种总体的冷漠,破坏了进行深度解释的尝试,带来了感知的复杂性。依靠模拟,波普艺术为后世提供了一个可以参照的形式,同时它又促成了“绘画的终结”之类的氛围;然后,在此基础上,从先锋主义的美学努力的历史中阐述早期先锋主义的悖论式经验,即考虑到艺术与生活的虚假扬弃经验的存在,历史的肯定了艺术本身的自律性的必然性。在现代主义 的后现代转向中,建构了美学的多元化模式,面对现代性仍在继续的历史,现代主义叙事在当下的后现代语境中如何继续?最后,我的结论是叙事不是以提供一个实在为目标,处在当下后现代语境中的叙事是讽喻性的并需要给它一个合理化。
The purpose of this essay is to reinterpret the discourse experience of modernist narratives through a textual and historical perspective, thereby suggesting the viability of current narratives in the postmodern period. The structure of the essay begins with Benjamin’s concept of “allegory” as a theoretical category that explains the core of avant-garde work, suggesting its instructive orientation to modernist narrative and thus giving modernism Narrative experience a legal category; then discusses Pop Art, as the first evolution from modernism to postmodernism, pop art returns modernism’s spiritual concerns back to existing society, removing the mystery of art Atmosphere. It opens up an infinite irony of images, highly realistic and replicated mimicry. At the same time, the perceptual complexity is brought about by an overall indifference that undermines attempts to explain in depth. By analogy, pop art provides a reference form for future generations, at the same time, it promotes the atmosphere such as “the end of painting.” On the basis of this, it elaborates on the basis of avant-garde history from the avant-garde aesthetics efforts The paradoxical experience of the doctrine, that is, taking into account the existence of the artificially renounced experience of art and life, confirms the inevitability of the self-discipline of art itself. In the postmodern turn of modernism, we have constructed a diversified aesthetics model. In the face of the history of modernity, how can modernist narrative continue in the present postmodern context? Finally, my conclusion is that narrative is not based on To provide a real target, the narrative in the present postmodern context is allegory and needs to be rationalized.