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明代中叶,为了纠正松散拖拉的“台阁体”和迂腐庸俗的“理学诗”所造成的不良文风,以李梦阳、何景明为首的“前七子”举起复古的旗帜,提出“文必秦汉,诗必盛唐”的主张。但由于他们从理论到实践都存在严重的缺陷,终使复古变成拟古,因而也招致了许多人的反对。在这个反拟古的论争中便崛起了一个新的文学流派“唐
In the middle of the Ming Dynasty, in order to correct the unhealthy style of writing caused by the loose procrastination of the ”Taiwan Pavilion“ and the vulgar vulgar ”Neo-Confucianism“, the ”Seven Sewers“ led by Li Mengyang and He Jingming raised the banner of the old, Propose ”Wen will Qin and Han, poetry will Sheng Tang “ proposition. However, due to their serious flaws in both theory and practice, and ultimately turning retro into archaic, many people have also been opposed. In this anti-antiquity debate has risen a new school of literary ”Tang