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王巍在《桑树坪纪事》中,以精湛的表演技艺,在有限的场景片断中,塑造了一个形象鲜明、内蕴丰富的阳疯子——福林的艺术形象。福林,这个阒寂闭塞乡村中敦厚诚朴的后生,被贫穷压弯了腰,三十多岁还讨不上婆姨,落下个阳疯病。在桑树坪的世界里,他是个遭遇独特的不幸人物,又是个人数众多的闲荒汉的典型代表。在桑树坪人眼里除温饱外,繁衍后代是生存的唯一宗旨。但女人既是低贱的,女人又是昂贵的。福林的喜怒哀乐,他的生活的寄托和感情的轰毁都紧系在两个女人——他的妹子月娃和他的婆姨青女——的身上。王巍在导演的启示下,在进入与跳出、同化与间离的微妙平衡中既真切地传达了角色的特定情感,又保持演员清醒的演剧意识,并在关键性的场面中明晰地传达了导、表演者的主观评价。
In the “Sangshuping Chronicle,” Wang Wei has created a vivid and intriguing positive madman with a superb performing skill in the scenes of limited scenes - the artistic image of Forint. Forint, this loneliness clogged up the honest and enterprising life of the village; it was crippled by poverty; and in her thirties, she was still deprived of her aunt and sickness. In the world of the Mulberry Ping, he is a typical unfortunate person encountered, but also a large number of idle typical representatives. In the mulberry Ping people’s eyes in addition to food and clothing, the proliferation of offspring is the only purpose of survival. But women are both cheap and women are expensive. Forint’s emotions, the sustenance of his life and emotional destruction are closely linked to the two women - his sister-in-law and his wife-in-law. Inspired by the director, Wang Wei has both truly conveyed the specific emotions of the characters in the subtle balance of entering and exiting, assimilation and separation, while maintaining a clear awareness of the actors and conveying clearly in the key scenes The guide, the performer’s subjective evaluation.