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素描是锻炼造型能力的基础性手段。在“五四”运动之后,徐悲鸿引领了用西方写实造型改良中国画的运动。从那以后,人物画走了一条中西结合的道路一直至今。人物画是造型与笔墨的结合,素描对于人物画造型能力的培养是很重要的。新中国成立以后,人物画的创作很活跃,而在中国画的素描教学方面,却走着一条曲曲折折的道路。对于中国画专业素描的学习,现在和以前主要矛盾发生了变化,从契斯恰科夫素描方法不适合中国画的主要矛盾,转变为技法适合但是由于技法较为单一导致能力提高效果不佳的矛盾。根据现在的具体情况,素描的教学可以采用更加灵活的方式进行。
Sketch is the basic means of exercise modeling ability. After the “May 4th Movement”, Xu Beihong led the movement to improve Chinese painting with Western realistic painting. Since then, the figure has taken a combination of Chinese and Western road until now. Figure painting is the combination of style and pen and ink, sketch drawing and modeling skills for the cultivation is very important. After the founding of New China, the creation of figure paintings was very active. However, there was a twists and turns in the sketch teaching of Chinese painting. Nowadays, the main contradiction between the sketch sketch of traditional Chinese painting and the sketch sketch of traditional Chinese painting is not suitable for traditional Chinese painting, but the contradiction between the two is that the technique is suitable but the effect is not good due to the simpler technique. According to the present situation, the sketch teaching can be carried out in a more flexible way.