对于崔健,现在三四十岁的中青年人想必不会陌生。在八十年代中期,当他穿着绿军装、缩着裤腿出现在舞台上,蒙着眼睛弹着吉它,用沙哑而又含混不清的歌喉坦承自己“一无所有”的时候,许多整天沉浸在港台甜歌中的人被吓了一大跳。但很快他们就喜欢上了这种毫不掩饰、粗犷奔放充满阳刚气的音乐。有的人在他的作品中发现自我的真实并从中反省、领悟,更多的人则是在歌中得到了发泄和释放。 For Cui Jian, young people in their thirties or forties will surely not be unfamiliar. In the mid-1980s, when he was wearing a green military uniform, his pant legged on the stage, his eyes covered with a guitar, his hoarse, vague voice admitting “nothing”, many were immersed in Hong Kong all day Taiwanese people in the song was shocked. But soon they like this kind of unobtrusive, bold and unrestrained full of masculine music. Some people in his works to find out the true self and reflect on them, comprehend, more people have been vent in the song and release.