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颜色本身只是一种物理现象,它是没有灵魂存在于其中的,人们之所以能够感受到源自于色彩的情感是因为人们长期生活的物质世界充盈着无所不在的颜色,因而积累了许许多多的视觉经验,这种视觉经验留存于人类的脑海,某个时候大脑受到外界的色彩刺激,就会与其产生共鸣呼应,从而引发人们个人的情感。我们可以把色彩当作是一种语言,许多不能用言语表达的情感可以用色彩来向对方表达。色彩与文字一样,它可以触动人心,文字拥有自己的语法和组合,颜色同样如此,它也有自己的语法。从古至今,无数的艺术家们不断尝试并实践着找出色彩新的意义,并使其广而告之。一旦这种对色彩的解析做到了平民化,那么我们面对色彩时将不再彷徨,知道了它本身的意义,从何合理对待与利用它。所以,色彩语言有着强烈的情感表现力,不同的色彩所表现的情感不相同,相同的色彩在不同的环境之中也代表着不同的情感。画家在创作时都十分注重颜色的选择和使用,这些色彩在某种程度上表达了画家的情感。
The color itself is only a physical phenomenon, there is no soul in it, and people can feel the color-derived emotion because the material world in which people live for a long time is filled with omnipresent colors, thus accumulating many Visual experience, this visual experience is retained in the minds of mankind, at some point the brain by the external color stimuli, it will resonate with the echo, which triggered people’s personal feelings. We can regard color as a language, and many emotions that can not be expressed in words can be expressed in colors. Colors, like words, can touch hearts, words have their own grammar and composition, colors are the same, and it has its own syntax. Since ancient times, countless artists have constantly tried and practiced to find new meaning of color and make it widely publicized. Once this color analysis has achieved civilianization, then we face the color will no longer imitate, know its own meaning, from what reason and use it. Therefore, the color language has a strong emotional expression, different colors show different emotions, the same color in different environments also represents different emotions. Painters in the creation are very focused on the choice and use of color, these colors to some extent expressed the artist’s emotions.