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读宋晓杰的诗歌,大多时候是一种精神上的享受和心灵间的对话,她的许多诗歌都能在轻松随意的诗句中散发出诗人对黑土地特有的一种眷恋之情,这一眷恋之情在她写给家乡的文字中通过“湿地”的“水”“芦苇”以及由此孕育的“水稻”“中华绒鳌蟹”等丰富物产展现出来。在她的诗中,这些都柔化为一个个意象、一个个词句,一个个柔情。也许,这就是宋晓杰诗歌的魂魄所在吧。纵观宋晓杰的诗歌文本,可以看到较为集中的三个特征,即在诗歌与生活之间行吟、坚韧与柔和共生的诗风和根植于黑土地的意象撷取。这三个特征一方面是基于黑土地诗人的固有文化涵养,同时也是作为女性诗人的特有精神内质。
Reading Song Xiaojie’s poetry, most of the time is a kind of spiritual enjoyment and dialogue between the soul, many of her poems can be easily relaxed in the poet emanates the poet’s unique love of the Black Earth, the attachment Love in her writing to his hometown through “wetlands” “water ” “reed ” and the resulting “rice ” “Chinese crab” and other rich properties show. In her poem, these are softened into one image, one word, one tenderness. Maybe this is the soul of Song Xiaojie’s poetry. Looking at Song Xiaojie’s poetic texts, we can see the three characteristics that are more concentrated, that is, the poetic style of poetry and life, the poetic style of tenacity and soft symbiosis, and the image capture rooted in the black land. On the one hand, these three characteristics are based on the inherent cultural conservation of black land poets and also as the unique spiritual inner qualities of female poets.