光与色的魔术师——印象派绘画前面讲了印象派的同行者和巴比松画派,接下来再讲印象派绘画,就容易了。印象派兴起于一八六○年代,莫奈、雷诺阿、毕沙罗、西斯莱等,加入追逐光色的行列。这些后来被归属为“印象派”的画家们以记录光线带来的视觉感受为首任,以迅疾奔放的独特笔法捕捉稍纵即逝的光线。厚重的笔触往往在画布上产生粗糙的肌理。印象派画家将新兴的光学理论应用 Light and color magician - Impressionist painting In front of the Impressionist colleagues and the Barbizon School, then talk about Impressionist painting, it is easy. Impressionism rose in the 1860s, Monet, Renoir, Pissarro, Sisley, joined the chase light color ranks. These painters, who later belonged to “Impressionism ”, took the visual experience of recording light as their first task, capturing the fleeting light with a unique style of rapid and unrestrained. Thick strokes often produce a rough texture on the canvas. Impressionist painters will be emerging optical theory applications