“他的作品中没有一笔一划不反映出作者追求从各方面说都富有特色的精神。他所汲取营养的真正渊源,可以追溯到比史学家们的想象更遥远的年代;早在乔瓦尼·贝利尼、卡尔帕乔和奇马的作品中就可找到他所受影响的出处。从这个角度来说,帕尔马在振兴威尼斯艺术并使之现代化方面与焦尔焦内和蒂齐亚诺齐名。”卡瓦尔卡塞莱(1871年)是第一个对帕尔马的艺术作出高度评价的人,我们在这篇短文开始时,不能不加以引述,尽管现代评论 “There is no single stroke in his work that does not reflect the author’s pursuit of a spirit that is distinctive in all aspects. The real source of nutrition he draws goes back even further to the imagination of historians; From his point of view, Nicolas Bellini, Carpaccio, and Chimae found his influence, and from this perspective Parma worked with Giorgio and Tizia in rejuvenating and modernizing Venetian art Nozomi. ”Carval Casale (1871) was the first to give a high opinion of the art of Parma, and we can not but quote from the beginning of this essay, although modern commentary