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《轻舟已过》(《中国花卉盆景》93年9期第10页)属意境型山水盆景。在布局上,两山对峙,远山平卧,展现茫茫江域;主山与客山遥相呼应,使江水流向成为欣赏者的视觉中心。置寒亭于苍崖下,一左枝横挂悬崖,使其互相对比映衬。在宽阔的江面,倘若无舟无楫,唯见江水横流,这才是轻舟已过矣;这才显示出作者在命题与表现手法上的匠心独到。现在置一舟于江面,岂不画蛇添足乎?!再从整体上看,
“Cockpit has passed” (“Chinese flower bonsai” 93 years 9 period page 10) is a landscape Italian bonsai. In the layout, the confrontation between the two mountains, mountains and lying, showing the vast river; Lord Hill and Hakusan echoes, the river flows to become the appreciation of the visual center. Set Han Pavilion in the Cang, a left branch hanging cliffs, contrasting with each other. In the broad river, without a boat without a trace, only to see the river cross-flow, this is the cockpit has gone too far; This shows the author’s proposition and performance techniques of originality. Now set a boat in the river, would it not draw superfluous ?! From the overall point of view,