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灯光昏暗的监狱浴室里,张家辉赤膊上身和几个人扭打在一起,或手勒,或肘顶,或刀刺,或板砸,以一敌四,最后导致一人死亡,两人重伤,一人失聪。整场打斗的画面,色调饱满,横流的血水与四溅的水珠不断刺激着视觉神经,偶尔节奏放缓的特写镜头在背景音乐的衬托下,犹如定格的照片,充满张力。这就是电影《大追捕》的开场戏,血腥,却不失美感,听着,似乎有点诡异,但如果告诉你导演是周显扬,这一切似乎又变得好理解了。三年前的导演处女作《杀人犯》让业界和观众都见识到了周显扬在
In the darkened jail bathroom, Zhang Jiahui shirtless and a few people twisted together, or hand-strapped, or elbow, or stabbed, or plate hit, to an enemy four, finally killing one person, two seriously injured, one deaf. Throughout the fight scenes, full color, full of cross-flow of blood and splashes of water continue to stimulate the visual nerves, and occasionally slow rhythm of the background against the backdrop of music, like freeze-frame photos, full of tension. This is the movie “Huntress,” the opening scene, bloody, but without losing the beauty, listening, it seems a bit strange, but if you tell the director Zhou Xiangyang, all seems to have become well understood. Three years ago, the director’s debut “Murderer” made the industry and the audience aware of Zhou Xiangyang