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楚文物上的形象造设往往是一种带有隐喻性的符号,这些符号表达着楚文化的内涵与宗教信仰。楚舞的风格特点与楚文物上这些独特的形象造设有着紧密的联系,在许多方面还呈现出一种异质同构的关系。楚文物上的这些图案形象给当代楚舞研究提供一定的参考,能通过透析其中所隐喻的文化内涵,进行更为深入的研究,开拓当代楚舞复现与创编中其舞蹈身体语言所要表达的内容,明晰其表达的文化主旨,找出楚舞的风格特点。从楚文物的形象造设所隐射的文化信仰中体会出楚人的审美心理结构去进行楚舞的研究、复现甚至是当作品的创作不失为一条值得探索的道路。
The creation of images on Chu artifacts is often a metaphorical symbol that expresses the connotation and religious beliefs of Chu culture. The style and characteristics of the Chu dance are closely linked with these unique images in Chu relics, and in many respects also show a heterogeneous isomorphic relationship. These pictorial images on Chu relic provide some references to the research of contemporary Chu dance. Through the dialysis of the metaphorical cultural connotation, they can conduct more in-depth research and explore the expression of the dance body language in the reappearance and creation of contemporary Chu dance Content, clear the main theme of its expression, to identify the characteristics of Chu dance style. From the cultural belief concealed in the image creation of Chu relics, we can understand the aesthetic psychological structure of Chu people to conduct research on Chu dance, even if it is the creation of works, it is worth exploring.