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应当承认,近年来在反映对越自卫还击战这一题材影片的创作上,电影艺术家们是下了功夫的。不仅影片数量多,而且在表现的内容上由单纯地写『战』逐步深化到写『人』,并且拍出了象《高山下的花环》《雷场相思树》等好影片。然而,就给人的总体印象看,似乎仍然有一种平庸、浅薄之感。究其原由,很重要的一点即是创作素材的选择单一俗套,情节构思重复雷同。以今年上映的几部影片为例,便可窥豹一斑:并肩战斗的战友牺牲,生者狂怒地端起枪,声嘶力竭地吼叫着向敌人一阵猛烈扫射,以发泄心中的悲痛和仇恨。当我第一次从《高山下的花环》中看到这一情景时,内心的确受到强烈震撼,甚至为此而落泪。殊不知后来几乎片片都是这样,《十五的月亮》
It should be acknowledged that in recent years filmmakers have worked hard to reflect the creation of a film on the theme of Vietnam’s self-defensive counterattack. Not only the number of films, but also in the performance of the content by simply writing “war” gradually deepened to write “people” and made like “Garland under the mountain” “Thunder and Acacia field” and other good films. However, given the overall impression, it seems that there is still a sense of mediocrity and superficiality. The reason, the very important point is that the choice of creative material simple stereotypes, plot repeat the same idea. Taking the films released this year for example, we can see a few things: the battle comrades sacrificed side by side, the living side of the furious gun, screaming hoarsely to the enemy a violent strafing to vent the hearts of grief and hatred. When I first saw this scene from the “garland under the mountain”, my heart was indeed strongly shocked, and even wept to this end. Little do you know later, almost pieces are like this, “fifteen moon”