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戏剧结构一直是中外戏剧家思考的焦点问题之一,也是引起争论的话题之一。新时期以来,我国实验话剧创作中出现了开放与多元的结构形式,散文化倾向明显,多声部与复调式以及拼贴式等结构进一步开阔了人们的视野。开放与多元结构的选择既是“二度西潮”下对世界戏剧潮流的呼应,与世界文学进行对话的结果,又是当代意识烛照下文学自身发展的必然趋势,更与剧作家主体意识张扬下戏剧观、人生观、价值观的变化有重要的关系。
The structure of drama has always been one of the most important issues that Chinese and foreign dramatists think. It is also one of the topics that cause controversy. Since the beginning of the new era, there has been an open and pluralistic structure in the experimental drama of our country. The tendency of prose culture is clear. Multi-vocal parts, polyphonic and collage structures further broaden people’s horizons. The choice of openness and pluralistic structure is not only the echo of the world drama trend under the second wave of the west, but also the result of the dialogue with the world literature and the inevitable trend of the literature self-development under the candle of contemporary consciousness, Under the publicity of the dramatic view, outlook on life, the values of change have an important relationship.