要想深入考察被世人奉为西方经典音乐“顶冠乐器”的小提琴，以及这样一件乐器的艺术特性和文化本源，除了从历史的角度考证，从乐器结构的角度测定，我觉得更应该从音乐，尤其从小提琴所表演的各种不同类别的作品人手，也许，这是一条更加合理的路径。 In order to study in depth the violin that was regarded by the world as the “crown music instrument” of Western classical music and the artistic characteristics and cultural origins of such an instrument, from a historical perspective and from a musical instrument structure perspective, I think it is more important It is perhaps a more reasonable path, perhaps, for the different types of work performed by music, especially violins.