说起“新武侠电影”这个概念,很难用一句话给它做界定,同时说法不一也给解释这个概念带来了难度。目前的主流说法有两种:为了区别于1928年由《火烧红莲寺》带起的那一股“神怪武侠片”的热潮,在上世纪五、六十年代末期,胡金铨、张彻等人拍武侠片,就有人称他们的作品是“新派武侠电影”了。到了九十年代初期,以徐克、程小东为首的一批导演拍出的《黄飞鸿》、《新龙门客栈》、《东方不败》等片,同样 Speaking of “new martial arts movie ” concept, it is difficult to use a word to define it, at the same time different versions of the concept to explain the difficulty. At present, there are two mainstream versions: In order to differentiate from the upsurge of the “god warrior martial arts film” brought up by “burning the Red Lotus Temple” in 1928, Hu Jinquan, Zhang Che, etc. in the late 1950s and 1960s People take martial arts films, some people call their work is “new school martial arts film ”. By the early nineties, a group of directors headed by Tsui Hark and Cheng Xiaodong, including “Huang Feihong”, “New Dragon Inn” and “Oriental Undefeated”