苏州吴江之垂虹桥,始修于宋代庆历年间,自诞生之日起便一直是名满东南的鸿图华构。它如“长虹飞渡”(丁祖荫《重修垂虹桥记》)于“驶风怒涛,舂激喷薄”(袁桷《重建长桥记》)的空渺太湖之上,“四岸俱无只有天”(张蕴《垂虹亭》),其景“壮丽此无敌”(王安石《垂虹亭》),“若非人世,极画工之巧所莫能形容”(刘学箕《水调歌头·三载役京口》小序)。因而,或登高赋诗,或步远送归,或临水赏月,或宴饮舒啸,历来造访登临的骚客文人指不胜屈,题诗拟文者不绝于史。如果我们将垂虹桥,桥中的垂 Hongqiao, Suzhou Wujiang, was founded in the Qing Dynasty Qingliu years, since its birth has been the full name of the southeastern ambitious. It is like “Changhong Fei Du” (Ding Zuying “rebuilt Hongqiao Notes”) in the “Windward Nirvana, excitement thin” (Yuan 桷 “reconstruction of the bridge in Long Island) There are only days there are no days ”(Zhang Yun“ vertical Hong Ting ”), the King “ magnificent this invincible ”(Wang Anshi“ vertical Hong Ting ”),“ if not human, (Liu Xue Kei ”Shuidiaogetou · Kyoukou Keiji" small preface). Thus, either ascending poetry, or step away to return, or Lin Shui Moon, or feast Shu Xiao, has always been a visit to visit the scholar literary criticism, inscribed poetry writer never stopped. If we will hang Hongqiao, the bridge in the vertical