十五岁即发表诗作,以诗人自许,七十年代诗集出版不久,目睹舒婷出现,以假大空汗颜,乃毅然罢笔,作《新的美学原则在崛起》,为朦胧诗摇旗呐喊,在横遭围攻之中,成为“三崛起”之悍将。不得已而退守课堂,不意所为讲义《文学创作论》奠定学术基础。偶然为刘再复辩护,卷入“主体论”大论战,成为教条主义者之冤敌。九十年代意志颇为消沉, At the age of fifteen, he published his poems with the poet’s approval. Shortly after the publication of the seventies poetry, he saw Shu Ting appeared, with a fake sky ashamed, but resolutely giving up his pen and making “a rise of the new aesthetic principle” Be encircled, become “three rise ” Titans. Forced to retreat classroom, do not intend to handout “literary creation” to lay the academic foundation. Occasionally defend Liu Zaifu, involved in the “main theory” big controversy, as dogmatists enemy. The will of the nineties is rather gloomy,