一、用笔一涉图绘,则有关乎全局,不可不慎。笔乃提纲挈领之总枢纽,遍于全画,以通呼吸,一若血脉之贯注全身。意存笔先,笔外意内,画尽意在,像尽神全,是则非独有笔时须见生命,无笔时亦须有神机内蕴,余意不尽。以有限示无限,至关重要。二、笔力透入纸背,是用笔之第二妙处。第一妙处,还在于笔到纸上,能押得住纸。 First, with pen-related diagram painted, then the overall concern, can not be careless. Pen is the general hub of the outline of the hub, throughout the whole picture, in order to breathe, as if the blood of the whole body note. The first intention is to save the pen, the pen outside the meaning of the painting, as best as possible, like doing God, is the time to see the non-unique pen, no pen must also have the inner divine, endless. To limit unlimited, it is crucial. Second, penetrating the paper back, is the pen with the second beauty. The first beauty, but also lies in the pen to paper, can hold custody of paper.