佛教传入我国的同时,也带来了佛教艺术。有东方艺术瑰宝之称的敦煌莫高窟壁画就是其中的典型代表。我们习惯认识上的敦煌壁画是比较刻意、工整,具有华丽、装饰性强甚至类似于民间画工的画种。其实并不尽言,由于所处的年代、社会背景、社会动荡及繁荣程度不同,对佛教教义认识程度、民族审美习惯、画工的理解和表达不一样,所以呈现出来的绘画风格也不尽相同,可以说是天壤之别,给观者以截然不同的艺术感受。 Buddhism came to our country at the same time, also brought Buddhist art. Dunhuang Mogao Grottoes, which is called the Oriental Art Treasure, is one of the typical representatives. We are accustomed to understanding Dunhuang murals are more deliberate, neat, with gorgeous, decorative and even similar to the art of folk art. In fact, they do not say much. Due to their different social backgrounds, social unrest and prosperity, their understanding of Buddhist creed, their national aesthetic habits, and their understanding and expression are different, so the painting styles presented are not the same , Can be said to be different, giving the viewer a completely different artistic experience.