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郭熙字淳夫,河阳温县人,其所著《林泉高致》是北宋山水画的重要理论著作,在一定程度上对北宋后期之前山水画创作进行了总结,并对其进行了理论上的概括和阐发,是继荆浩《笔法记》之后的又一部重要的理论著作。并且和《笔法记》一样,它不是靠对作品的鉴赏和文献的记载以及个人的观点编述,而是根据自己在创作中的体验以及自己为了创作而去对前代山水画的学习、理解所得而编述的著作,所以它对创作前的思想基础和认识方法、刨作中具体技巧和意境等的处理,以及创作时各方面体会得更加深刻、更加实际,也更具有一种操作层面上的价值。研究《林泉高致集》,对深入理解中国山水画的本质特征具有重要意义。它在山水画的价值论、师传统与法造化、山水美的观照与选材以及山水画空间的表现方式这几个问题上的深刻看法,直至今日,仍然有着一定的参考价值。特别是他所
He is a masterpiece of landscape painting in the Northern Song Dynasty, and summarizes the creation of landscape painting before the late Northern Song Dynasty to a certain extent, and summarizes it theoretically And elucidation, is another important theoretical work after Jing Hao’s “Writing Notes”. And it does not rely on the appreciation of works and the documentation of literature as well as on personal opinions, but on the basis of his own experience in creation as well as his own study of and understanding of the previous generation landscape paintings Therefore, it has a deeper, more practical and even more operational perspective on the ideological basis and method of understanding before the creation, the handling of specific techniques and artistic conceptions, and all aspects of creation the value of. Studying “Lin Quan Gao Zhi Ji” is of great significance to the deep understanding of the essential characteristics of Chinese landscape painting. Its profound viewpoints on the values of landscape painting, the division of traditional and legal art, the contemplation and selection of landscape beauty and the expression of landscape painting space, still have certain reference value up to now. Especially him