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蔡焕松:你的摄影经历跟上世纪很多人一样,都是从拍沙龙开始的。那时拍沙龙是一种个体行为,而你现在是学校体制内工作的人。那么一个自由的摄影发烧友,与一个在体制内从事专业的摄影人,拍摄创作有什么不同?李泛:摄影发烧友都是从最基础开始的,我们这代人从1980年代初开始发烧,那时候没有渠道可以展示,因为可以发表的刊物非常少,成败全靠自己摸索。我一开始也是拍沙龙、风光、唯美,那时候养成一种惯性不自觉地追求某种完美,因为我的性
Cai Huansong: Your photography experience is similar to that of many people in the last century. All of them start from the salon. Salon at that time was an individual activity, and you are now a person working in the school system. What is the difference between a freelance photography enthusiast and a filming professional who is a professional photographer in the system? Lee Pan: All photographers are from the very foundation. Our generation had a fever from the early 1980s. At that time There are no channels to show because very few publications can be published, and the success or failure depends on their own exploration. At the beginning, I also took a salon, scenery, beautiful, then develop a kind of inertia unconsciously pursue some kind of perfect, because of my nature