在印度孟买团体剧院的《第十二夜》开演之前,进到上海话剧艺术中心剧场,先看到了极简的布景:正中竖着巨幅穿戴印式装束的黑皮肤经典版莎翁画像,镶金边画框被灯光照射泛光,莎士比亚显得宝相庄严。画像前一块长条座垫,架着各式印度传统乐器与扩音设施,再就是左右两两排开的四根柱子,构成了一个既可以是庭院,亦可以是内室的开放空间。莎翁的面目被装饰成了一个印度人,这种对于原剧作者形象的互文式戏谑已经 Before the “Twelfth Night” at the Mumbai Theater Theater in India, he went to the theater in Shanghai Theater Arts Center to see the minimalist scenery: the black version of the classic Shakespeare portrait on the middle with a huge print on the middle, Phnom Penh frame floodlight floodlight, Shakespeare appears solemn treasure phase. The front of the picture is a long cushion with various traditional Indian musical instruments and sound reinforcement facilities, and four pillars arranged side-by-side, forming an open space that can be both the courtyard and the interior. Shakespeare’s face was decorated as an Indian, this image of the original playwright banter joking has been