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儒家文化大多是经验的和世俗的,多以重视生命为其特点,以“物”观时,用自然或万物来感受时间和存在。生命的短暂、时光的飞逝,这些母题无时无刻不引起了古代文人墨客的诸多思考,形成诗篇。在唐代诗歌领域,这种儒家文化的时间观念深深地植根于其中,影响着诗人的创作。诗歌从内容上大多表达了“复古”和“三不朽”的主题;从艺术风格而言,则是运用“比兴”来对时间进行一种诗性的细腻描绘。正是在这种儒家文化时间观的影响下,唐代诗歌才会塑造着经典,积淀着韵味,彰显着不朽,传递着永恒。
Most of Confucianism is experienced and secular, with more emphasis on life as its characteristic, with “things” view, with nature or all things to feel the time and existence. The short life, the passage of time, these motto all the time caused a lot of thinking of ancient literati, the formation of the Psalms. In the field of Tang poetry, this concept of time of Confucianism is deeply rooted in it and affects the poet’s creation. From the content, most of the poems express the themes of “retro” and “three immortality”; from the artistic style, they use the “Bi Xing” to describe the poem of time in a delicate way. It is under the influence of Confucianism’s time concept that the poems of the Tang Dynasty will shape the classic, accumulate the charm, highlight the immortality and convey the eternity.