曾读吴冠中的画。画中,海滩呈波浪线状向远处流畅地延伸,小船搁浅在沙滩上,整幅画面一半留白,让人遐想。几线几画,着实是意味无穷,而他的留白,也留得如此简洁素朴,让人痴迷。我真愿做他水墨画上的留白,既不热烈又不可或缺,给静寂的空间留一个尺度。留白,首先是一种形式语言,空白处蕴含寂静、空旷、无言的美,于无墨处成妙境。留白与笔墨形象互相衬托,我中有你,你中有我。中国画的画面布白处理,崇尚“计白当黑”的理念,它既是画面构成的重要形式,也是构成画面审 Have read Wu Guanzhong’s paintings. In the painting, the beach was wavy linear to the distant smooth extension of the boat ran aground on the beach, half of the entire screen blank, people reverie. A few lines a few paintings, it really means endless, and his blank, but also to stay so simple and simple, people obsessed. I really want to do his ink painting on the blank, neither warm and essential, to leave a yardstick for the quiet space. Blank, first of all, is a formal language, the blank contains silence, open, silent beauty, in no ink into a wonderland. White and pen and ink each other, I have you, you have me. Chinese painting picture cloth white treatment, respect “white when the black” concept, which is not only an important form of the picture composition, but also constitute the screen test