从事中国民族声乐演唱实践、教学及理论研究的同行,对于汉族民歌演唱艺术中的“润腔”一词不会陌生。笔者曾指出:“润腔是中国民族声乐艺术长期发展过程中形成的一套不仅是对唱腔加以美化、装饰、润色的技法,又是使歌唱语言进一步深化、美化和形象化的艺术创作手段。”①一代又一代的民族声乐歌唱家在民歌学习的基础上,玩味、模仿并试图对极具魅力的润腔进行技术技巧性归纳②。音乐学家 Engaged in the practice of China’s national vocal music, teaching and theoretical research counterparts, Han folk song and dance art in the “Run cavity” is not unfamiliar with the term. The author once pointed out: "Runzhou is a set of techniques that are formed during the long-term development of the art of Chinese national vocal music. It not only beautifies, decorates and touches the singing, but also is a means of artistic creation that further deepens, beautifies and visualises the singing language On the basis of folk song learning, generational vocal singers ponder, imitate and try to summarize the most attractive techniques. Musicologist