点击理由看得出来,管峻是长年累月地在师法先贤,师法的范围很广,师法的年代也很宽,并没有明确的流派和宗门归属,他似乎只归属于“中国书画”这么一个大题目。这种情景,在许多处于“打基础”阶段的年轻书画家身上也能看到,但管峻显然早已超越了这个阶段,因此,他的虔诚和恭敬,并不是一个过程,而是一种美学。这种美学追求,小而言之,这里有一个不必争论的问题,那就是,他个人拿这支笔,入这个行,本来就是出于对传统书画的热爱。别人可以作别的选择,却不能指责他这种纯净的热爱;大而言之,正处于复兴过程中的中华文化,在很多方面需要突破,但更需要对它悠久而灿烂的遗产重新进行体认、选择和保存。在这一点上,不能以科技创新、思维创新的模式来要求传统艺术。管峻得力远古,采撷历代,走了一条老实而深厚之路。在这条路上,再耗下去多少年月都值得。 Click reason to see that, Guan Jun is a long time in the teacher of sages, a wide range of teacher law, the era of teacher law is also very wide, there is no clear genre and Zong Men belonging, he seems to belong only to “Chinese calligraphy and painting ”Such a big problem. This scene can be seen in many young calligraphers who are at the “foundation” stage. However, Guan Jun obviously goes beyond this stage. Therefore, his devotion and respect are not a process but a Aesthetics. This aesthetic pursuit, in a nutshell, there is one indisputable question here: he personally took this pen into this line, originally out of his love of traditional calligraphy and painting. Other people can make other choices, but can not blame him for such a pure love. In a big way, the Chinese culture in the process of rejuvenation needs to be overcome in many aspects, but needs to be re-identified for its long and splendid heritage , Choose and save. At this point, traditional art can not be claimed in the mode of technological innovation and thinking innovation. Guan Jun effective ancient, pick the ages, take a honest and profound road. On this road, how many years it is worth spending.