作为一名从事驾驶专业的技师,我在文化系统工作已有二十多年。二十多年来,我参与了许多与文化有关的工作,但是记忆最深刻的还是驾驶“大篷车”送戏下乡。中国幅员广大国土辽阔,虽然许多大城市文化活动开展得风生水起,但是更多的远离中心城市的偏僻乡村,文化活动却成为“不毛之地”。我们知道文艺表演是需要场所和设备的,由于山高水,路途艰辛,许多剧团有心下乡,但心有余而力不足,因此“送戏下乡”成为文化工作者的一个 As a technician in a driving professional, I have been working in cultural systems for more than two decades. For more than two decades, I have been involved in many culturally related work, but I remember most of the time when I was driving a Caravan and going to the countryside. With a vast territory and a large number of cultural activities in large cities, China has become more and more prosperous. However, more remote rural areas and cultural activities away from central cities have become “barren land.” We know that theatrical performances require places and equipment. Due to the high mountains and water, many troupes have the heart to go to the countryside, but they have no freefall in their efforts. Therefore, “play to the countryside” has become a cultural worker