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80后中国新晋作曲家正在崛起,他们会为世界带来怎样的惊喜?又在面对怎样的困惑?北京奥运会音乐总设计、著名作曲家陈其钢曾对当代中国乐坛的人才培养表示过恳切的忧虑:“我们目前最紧迫最缺失的,是为青年一代作曲家提供音乐实践方面的良性支持”。中国音乐学院作曲系主任王宁也表示深有同感:“当前作曲人才培养最大的瓶颈就是作品上演难。”然而,1988出生的李劭晟身在其中,却是那样非同寻常的幸运。2009年,美国林肯中心举办中国音乐节,在闭幕式上
What kind of surprise will they bring to the world? What kind of confusions are they facing? After the design of the Beijing Olympic Games music, Chen Qigang, a famous composer, once expressed his sincerity to the personnel training of the contemporary Chinese music scene Worries: “The most urgent and most urgent thing we are doing now is to provide healthy support for musicians in the generation of young composers.” Wang Ning, director of the Composer Department of China Conservatory of Music, also expressed his deep feeling about the same: “The biggest bottleneck in the current talent cultivation is the difficulty of the work.” However, it was an extraordinary luck that Lee Teng-sung was born in 1988. In 2009, the Lincoln Center of the United States held the China Music Festival, at the closing ceremony