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一、相关乐理1.调式分析在有调性领域里创作的旋律都具有一定的调式,即旋律的主音是什么类别?在西洋调式中,主音是do则为大调式,主音为la则为小调式;在民族调式中,主音是do、re、mi、sol、la时,则调式分别是宫、商、角、(?)、羽调式。西洋调式和民族调式的区别,在于旋律的风格上和对于偏音的运用上。民族调式的旋律独具中国特色,并不强调和突出偏音的运用,甚至很多民族调式不出现偏音。而西洋调式中则将fa和si放在重要位置。调式的确定在于旋律所倾向的中心音的确定。这个中心音一般处在旋律的终止处,并且以强、长时值出现。旋律中有上下两个属音对主音给予支持。可以用首调唱名法多哼唱几遍旋律,就能获得正确的调式感。
First, the relevant music theory 1. Modulation analysis Melody in the field of tonalism has a certain style, that is, what is the melody vocals? In the Western style, the vowel is do is a major style, the vocal la is small In the national style, the vowel is do, re, mi, sol, la, then the style is the palace, business, angle, (?) Feather style. The difference between the Western style and the ethnic style lies in the style of the melody and the use of the bias sound. Ethnic melodies with unique Chinese characteristics, do not emphasize and highlight the use of partial sound, and even many ethnic tones do not appear partial. The Western style will fa and si on the important position. The tuning is determined by the center of the melody. The center tone is usually at the end of the melody, and appears in strong, long time. Melody in the upper and lower two voices to support the vocalist. You can use the first tune to sing a few times more humming melody, you can get the right sense of style.