有关鲁迅《祝福》与夏衍电影改编之间的讨论,至今大多集中在几处改动以及夏衍的政治意识形态立场等方面,但如果从人物、情节、主旨等几个方面对比,可以清楚地看到电影不是枝节性地而是完全彻底地改变了鲁迅的小说,最终将《祝福》这样一篇有关“重复”的隐喻的小说,改写成了有关发展与进步的叙述。遗憾的是,夏衍等人后来的不幸遭遇,有力地支撑了鲁迅小说的核心隐喻,而不是夏衍的改编。 The discussions about Lu Xun’s Blessing and Xia Yan’s film adaptation have mostly focused on several changes and Xia Yan’s political ideological position. However, it can be clearly seen from several aspects such as characters, circumstances and main points The film does not completely and completely change Lu Xun’s novel. Instead, the movie eventually rewrote the blessing, a metaphor of “repetition ”, into a narration of development and progress. Unfortunately, Xia Yan et al later unfortunate encounter, effectively supporting the core metaphor of Lu Xun’s novel, rather than Xia Yan’s adaptation.