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西方少数民族美学研究是在文化人类学框架下进行的。比如,1871年,英国人类学家爱德华·泰勒出版的《原始文化》就是在大量民族学材料基础上对原始人类的精神文化现象,包括审美意识进行开创性研究;1890年,詹姆斯·弗雷泽的《金枝》把宗教、巫术、神话、科学、民俗等习惯体制加以合理化解释;1948年,马林诺夫斯基在《巫术、科学、宗教与神话》中对原始信仰的阐释等。这些都为后来学者通过原始宗教和民俗文化现象去研究某一聚居地或者特定群体的审美意识提供了范式。
Aesthetics research of western minority is carried out in the framework of cultural anthropology. For example, the “primitive culture” published by the British anthropologist Edward Taylor in 1871 was a seminal study of the spiritual and cultural phenomena of primitive human beings, including aesthetic awareness, based on a large number of ethnological materials. In 1890, James Fraser The “Golden Branch” rationalized the religious, witchcraft, mythology, science and folk custom systems. In 1948, Malinowski explained primitive beliefs in Witchcraft, Science, Religion and Mythology. All of these provide a paradigm for later scholars to study the aesthetic awareness of a settlement or a specific group of people through primitive religions and folk cultural phenomena.