本文通过对乔治·卢奥的绘画艺术作重新解读,对其“野兽派”风格的误读进行修正:他是表现主义的先驱之一,并对其绘画中的观念性作初步的阐释,其作品中所蕴含的深沉的宗教情感、浓郁的人文色彩和强烈的批判性对于中国当代艺术也有着深刻的启示意义。 Through a re-interpretation of George Luau’s art of painting, this article amends his “Fauvism” misreading: he is one of the forerunners of expressionism and preliminarily interprets the notion of the painting The deep religious sentiment, the strong humanistic color and the strong criticalness implied in his works also have profound implications for contemporary Chinese art.