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早期道教经典《想尔注》的美学思想，集中表现在三个方面：一是提出其宗教美学最高范畴“道美”，并认为“道美”虽然不可“言”，却能非感官领会和感受；二是审美趣味崇尚“自然”、“朴素”和“清静”，反对过于强调人为性、技巧性乃至艺术性；三是以“善”为“美”，在审美的标准中渗入了伦理的标准，在哲美之思中加进了宗教之思。从其中、特别在它同《河上公章句》的比较中，清晰地观察到道家老子美学观点怎样转化为道教美学论的基本脉络，也清楚地看到其道教美学思想的伦理化特色，以及它的重要影响及其美学史价值。
The aesthetic thoughts of early Taoist classic “Wan Er Er Zhu” are concentrated in three aspects: First, it proposes “Tao Mei”, the highest category of religious aesthetics, and holds that although Tao can not be “spoken”, it can non-senses comprehend and The second is the aesthetic taste of advocating “natural”, “naive” and “quiet”, the opposition is too much emphasis on human, skill and artistic; Third, “good” as “beauty”, aesthetic standards into the ethical Standard, in the philosophy of the United States added religious thinking. From these, especially in its comparisons with The Official Seal on the River, it is clearly observed how Taoist esthetics can be translated into the basic context of Taoist aesthetics and the ethical characteristics of its Taoist aesthetics as well as its The Important Influence and Its Value of Aesthetics History.