虽然调度过影史上最复杂、最困难、最绝望的电影:《埃及艳后》,约瑟夫·L·曼凯维奇喜欢的仍然是那些在一个小房间里、几个演员中展开的心理游戏,他就像最后一部电影《足迹》(1972)中的侦探小说家,在智力游戏中献祭了自己,唯一的区别是,那个小说家碰到了一个厉害的对手而陷入崩溃,曼凯维奇却从那之后结束了电影生涯,冷眼看着人类继续上演着他那些不是被认为超前就是被认为落后的主题。 Although scheduled for the most complicated, difficult and desperate movie in history: “Cleopatra,” Joseph L. Mankiewicz still loves the psychological games that were played in a small room with a few actors, He was like a detective novelist in the last film, Footprint (1972), who sacrificed himself in a mental game, with the only difference being that the novelist met a fierce rival and collapsed. Mankiewicz Ever since then, he has ended his career as a cynically-watched mankind continuing to stardom on topics that he is not considered ahead of the list and is considered backward.