哈维尔从一开始就在全球语境中建立自已的思考,分享着西方知识界现代性批判的成果。这不仅体现在他的荒诞派戏剧创作中,而且体现在他始终没有放弃过的站在“悲惨蒙羞人们”一边的“偏左”立场。但比所有理论上的划分更重要的,是他始终面对和承担自己所处的现实,不因为某些类似的问题也出现在西方就转移了自己主要的批判对象。他最终以自己坚强的意志和行动承担了所处黯淡、晦涩的社会现实;他可以看作在后现代情境下“理想”和“反抗”的一个榜样。 Havel has built his own thinking in the global context from the very beginning by sharing the fruits of the critique of modernity in Western intellectual circles. This is not only reflected in his absurd drama, but also reflected in the “leftist” position he has never given up on the side of “tragic humiliation of the people.” But more important than all theoretical division is that he always confronts and assumes the reality he is in and does not divert his main subject of criticism because some similar problems have also appeared in the West. He finally assumed his gloomy and obscure social reality with his strong will and action; he could be seen as an example of “ideal” and “resistance” in post-modern situations.