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面对乃源老同学的新作,鼓荡着神韵的西北风拂面而来,颇为感慨即成短文。 一、黄土的深情 《少陵塬的沟壑》、《瑞雪》是两幅极为平常景象的画面,既没有春花,也没有秋实,其主体造型是黄土场上的草堆和黄土塬上的土崖,但是出生在江西,在红土地上生活了十六年的“老俵”,从1994年来到这少陵塬下的杨万坡(原西安美院所在地的邻村),把近五十年的光阴,倾注在这草堆下、阳光里的黄土地上。半个世纪的艺术探索与艺术教育的辛勤耕耘,其在阳光与积雪的伴随中度过,深知这阳光积雪下的黄土孕育着无尽的春花秋实。在积雪的冷暧变化中,在土崖的明暗对比中,传递着他对黄土的深情厚意。
In the face of Nara’s old classmates’ new work, the northwesterly wind blowing up the charm of the rhyme, quite feeling that is an essay. First, the affection of the loess “Shaoling the Shaolinga”, “Ruixue” is two extremely common scenes of the picture, neither spring flowers, nor Qiu Shi, the main shape is the loess field on the hay and loess plateau Cliff, but was born in Jiangxi Province, lived in the Red Land for 16 years, “Lao Xun”, came to this Yanglingpo of Shaolin Plateau (formerly the neighborhood of the former Xi’an Academy of Fine Arts) in 1994, nearly 50 years Time, pour in this haystack, the yellow ground in the sun. Half a century of artistic exploration and artistic education, hard work, accompanied by the sun and snow, knowing that the sun under the snow covered with endless spring flowers. In the cold and warm changes in the snow, in the contrast of light and darkness of the earth cliff, pass his deep affection for the loess.