“《都柏林人》标志着乔伊斯决心告别传统、走上文学实验与革新道路的重要开端。”[1]《死者》是《都柏林人》中的最后一个故事,从中可以看到明显的现代主义的倾向。除了已被人们探讨过的象征主义,还有最为显著的两点是印象主义和自由间接引语的使用。 “” The Dublin “marks Joyce’s determination to say goodbye to tradition and embark on an important start to the path of literary experimentation and innovation.” [1] “The Dead” is the last of the “Dublinians,” from which you can see the obvious Modernist tendency. In addition to the symbolism that has been explored by people, the two most prominent points are the use of impressions and free indirect quotations.