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傅抱石的绘画创作往往洋溢着巨大的激情,通过水与墨的浑融、喷涌倾泻出来,得水墨之性灵。傅抱石无论用水、用墨,几乎都达到了中国画的极致,中国绘画史上鲜见象他一样如此用水运墨的画家,在水墨世界里展现出了全部的才华和深邃的内心世界。傅抱石的绘画得水墨之助,主要体现在两个方面,一个是绘画技法方面,一个是绘画题材方面。在绘画技法方面,他不惜大规模地用水、用墨,不断加重水法、墨法在中国画技法中的使用比重。
Fu Baoshi’s paintings are often filled with a huge passion, through the blend of water and ink, poured pouring out, have the spirit of ink. Fu Baoshi, regardless of water or ink, has almost reached the limit of Chinese painting. In the history of Chinese painting, the painter rarely used water to transport ink in the history of the Chinese painting. He showed all his talent and deep inner world in the ink and wash world. Fu Baoshi’s ink painting has helped, mainly reflected in two aspects, one is the painting techniques, one is the subject of painting. In terms of his technique of painting, he did not hesitate to use water and ink on a large scale and constantly increase the use of water law and ink law in Chinese painting techniques.